The Lived Interiors symposium explores the unique relationship between historical interiors and their evolving, lived experiences. While traditional views of “historical interiors” often focus on preserving a single moment in time, this discussion highlights the dynamic interaction between past and present, where each layer of history informs and enriches contemporary spaces.
The Lived Interiors symposium explores the unique relationship between historical interiors and their evolving, lived experiences. While traditional views of “historical interiors” often focus on preserving a single moment in time, this discussion highlights the dynamic interaction between past and present, where each layer of history informs and enriches contemporary spaces. Focusing on the thematic track of "Narratives," we explore how memories—both personal and collective—are embedded in interiors and how these memories shape the historical and cultural value of spaces. Through discussions on reading, representing, and activating memory in design, the symposium will examine the role of material traces, social rituals, and design practices in preserving and creating meaningful connections between past and present.
Susanne Pietsch is an architect and interior architect based in Rotterdam. She is interested in architecture as an expression of collective action and material culture, particularly the aspect of craftsmanship and actual physical participation in the creative process. Her projects operate at the intersection of design, research and the production of architectural projects, interiors, exhibitions, furniture and objects. Susanne is co-author of the publications Walls that Teach – On the Architecture of Youth Centres (Jap Sam, 2014) and The New Craft School (Jap Sam, 2018). She teaches at the Architecture Faculty of TU Delft in the Group of Interiors Buildings Cities, where she supervises students in all MSc courses and coordinates parts of the program. Her teaching emphasizes sensitivity to context, an approach to design through narrative, and the value of collaboration.
Hollis originally trained as an architect, and worked on the adaptive re-use of historic buildings in Sri Lanka and Edinburgh. He is now University of Edinburgh Professor of Interior Design and author of several books of building stories: ‘The Secret Lives of Buildings’ (2009) ‘The Memory Palace: A Book of Lost Interiors’ (2013) and ‘How to Make a Home’ (2016).
He is currently working with researchers at ParisPantheon1 and the Complutense University, Madrid in the JPICH-funded project ‘Cultural Heritage at the Metropolitan Periphery’, and is programme director for Edinburgh University’s new PhD programme in Cultural Heritage.
This research was undertaken in relation to Hollis’ PhD in Practice Research at RMIT Melbourne, Australia, titled ‘Building Stories: Retelling Pasts and Presents and Building Unpredictable Futures for Stories and Buildings’. His supervisors were Professors Suzie Attiwill and Nicholas Boyarsky.
The Lived Interiors Symposium takes place in Hasselt, Belgium.