Jeroen Peeters has the pleasure to invite you to the public defence of his doctoral thesis on 28 March 2025: Conceptual Landscapes: Readership in the Expanded Field.
The accompanying exhibition opens March 25th, and on March 27th you're invited to the Symposium Meet The Jury.
Dit event is reeds afgelopen
On Thursday 27 March, the setting of the exhibition hosts a programme of lectures, performances and video essays.
In the lecture Bandergewilden, Jeroen Peeters discusses the reading of practices. How do artists or writers read their own work as it emerges in the studio when things are in constant flux and not yet public? How can one recognize, acknowledge, document, publish those variegated modes of attention?
What is the landscape you’re working in? In response to this question, the jury members will introduce an aspect of their work and explore questions of experimental writing, translation, anamnesis, fabulation, notation and other practices that expand our sense of readership.
Jeroen Peeters will conclude the afternoon with A Table, a performance-reading of Francis Ponge’s La table (1967-73), the last of his notebook works, dedicated to the table that was his immediate work environment.
Jeroen Peeters has the pleasure to invite you to the public defence of his doctoral thesis on 28 March 2025: Conceptual Landscapes: Readership in the Expanded Field.
Artistic research, collaboration and creation require a specific environment, each time adapted to a particular question or guiding image. It is a matter of crafting conditions and staging the workspace, of articulating process so it may become a conscious method, of reading the emerging work. In his PhD in the arts, Conceptual Landscapes: Readership in the Expanded Field, Jeroen Peeters explores such a dramaturgical approach to artistic methods and looks into the modes of attention it affords.
‘Conceptual landscapes’ seek to prepare the ground for sense-making and unfolding guiding images into a shared world. Which specific ways of doing, speaking, imagining arise in there? Or, if we’d look at a creative process as an ‘ecology of attention’, then how do we inhabit it? Documenting these practices opens up an expanded sense of readership that acknowledges corporeal and material forms of thinking.
To speak from practice, in his dissertation Jeroen Peeters embraces hybrid forms of experimental writing, in particular essay, artist’s book and lecture-performance.
You can register for this symposium and/or the PhD defence of Jeroen Peeters via this Google Form.
Please fill in this form before March 24th 2024.